PART 8 in series of 20. This lesson shows you how to link Patterns 1 and 2 of the Minor Pentatonic scales using five cool licks.

Taught by Justin Sandercoe.

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In this lesson we have some fun and teach you how to get some cool sound effects out of the guitar like a star wars light sabre, a chicken, and more.

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This solo incorporates a lot of shred techniques including tapping, sweep picking, harmonics, string skipping, fast runs and most importantly – melody! Get the tab and more lessons like this FREE from www.shredacademy.com

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http://www.nextlevelguitar.com/free_blues_video/ Click link to get a killer brand new Blues lesson not on YouTube and a Blues scales and lead guitar Ebook, all for free from NextLevelGuitar.com

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In this video we demo the tones and review the features of a killer Epiphone Les Paul Goldtop electric guitar. This guitar is modeled after a 1956 Gibson Les Paul Goldtop. Check out the features and tones.

Many more full on video lessons as well as a FREE 3-day all access site pass at the full on video instructional website at: http://www.nextlevelguitar.com

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i bought an electric guitar and the rock house electric guitar lessons. it was hard and i,ve quit guitar.
i want to learn keyboard and i saw on a store near my home the rock house keyboard lessons.

do you think that the rock house is good and deserves a second chance? please answer by experience, not hearing stuff.

(i know that my question is involving rock house learn guitar but the main issue is about rock house learn keyboard. answer with experience on rock house learn keyboard)

they are good lesson dvd’s but you need to know some stuff about the keyboard or guitar, you need to know the basics and how to play (they just help you get better after you become a okay player) You should just get lessons, you would probably learn better that way.

ok..i’m confused as hell
most videos I’ve found play the 5 positions in the key of A (their guitars tuned to E) thats not confusing
the confusing part is what if my guitar is tuned to Dropped B
how will I play the minor pentatonic scale? Do i just find the A root note and play it normally? please help…
i use the
B-F♯-B-E-G♯-C♯. tuning
so would i Just find the A (root) note on the 6th in this tuning and start the first minor pentatonic scale position there?

the pattern remains the same but u’ll get different notes. the intervals of a minor pentatonic is:

1 3b 4 5 7b 8 (in terms of a major scale u play those notes)

ex: A minor pentatonic
A C D E G A

(the a major scale are A B C# D E F# G# A)

try to avoid patterns cause ur never know what pattern consist of (the name of the notes)

I learned scales both ways, but usually scales are written in the horizontal position.

i know how to read tabliture, and i know chords, ive lately been trying to compose my own music, and i learned progressions for rythem guitar, but i still want to learn how to write music for lead guitar, is it just trial and error, or is their a guitar theory, or what?

if theirs a lesson on the internet please post the link

The "best" players study their theory and go from there.

Satch, Vai, Beck, Randy Rhoads, Hammett, etc etc are all examples of players who studied their theory (often classical guitar as well) and apply that knowledge to writing their solos.

The simplest way to look at it is to say "okay, the key of this song is A minor, so I’ll play the solo with the notes from the A minor scale".

Theory isn’t some "set in stone" process…. theory tells you what notes will probably sound best, ie which notes will give a certain "color" or "texture" when you play melodies based on them.

It took a long time for me to pick up on the concept of lead guitar…. but it all came from learning my scales, then just playing with them for hours and hours – not just learning the notes, but practicing patterns and fills until I became very comfortable with the ins-and-outs.

One way to look at lead guitar is that it’s a device for communicating a melody… the function of a solo, really, is to make a musical statement, and the most powerful way to do that is through an effective melody…. a melody meaning something you can sing along to! Think about it… how many solos can you sing along to? Are they not some of the best solos you’ve ever heard?

So one way to approach writing a solo is like a vocal melody… sing along to the chord progression and see what you come up with. Use that as your inspiration for your solo.

The major and minor pentatonic scales are the easiest to work with… they don’t have a strong "statement" to them, but they work very well at creating a framework to start with.

To anyone who says "just use trial and error"…. you’re absolutely right. You can do it that way. There’s 12 notes you can pull from, so knock yourself out and guess away. However, music theory will help you narrow that field down to 7 notes or less… in other words, you can cross out almost half of the notes right off the bat. Gee, does cutting your guesswork in half sound like a good trade-off?

Saul

Can someone give me a tab for the B flat blues scale on the guitar, i need really fast

www.all-guitar-chords.com you will find it there